A completion of Contrapunctus 17 (or 14) from J.S. Bach's Art of Fugue. Contrepunctus Final.mp3
A Greensleeves Travelogue takes the familiar tune Greensleeves on a journey through various musical periods. 4 Renaissance.mp3
In the style of Bach. 6 Baroque Toccata.mp3
Large scale piece for Grand Organ. 9 Romantic.mp3
This is a setting from Three Cornish Lyrics for voice and piano. The words are by Warren Stuteley The Mind of Winter.mp3 | The Ricercare a 6 from J.S. Bach's A Musical Offering Ricercare a 6.mp3
This movement evokes the form and musical language of an Overture by Handel. 5 Baroque Overture.mp3
In the style of Clementi or Mozart. 8 Classical.mp3
An echo of Bartok's Music for Strings, Percussion and Celeste. 10 Modern.mp3
This is a setting from Three Cornish Lyrics for voice and piano. The words are by Warren Stuteley Cornish Window.mp3 |
The Art of A Musical Offering
(with Kyrie from B minor Mass and B.A.C.H.)
A Fugue with Eight Subjects from various contrapuntal works by J.S.Bach.
1. First Subject from Art Of Fugue
2. First Subject from Art of Fugue Inverted
3. Second Subject from Art of Fugue
4. Second Subject from Art of Fugue Inverted
5. Opening Subject of Contrapunctus XIV from Art of Fugue
6. Main Subject from A Musical Offering
7. Kyrie from Mass in B minor
8. B.A.C.H.
(9. Third Subject from Art of Fugue 10. Third Subject from Art of Fugue Inverted. Extras for Fugue 2)
The Art of A Musical Offering Subjects.mp3
Double Canon 1b.mp3
Bach wrote a set of single subject Canons for Art of Fugue. The Canons presented here attempt to incorporate two subjects. The final Canon uses three subjects.
Fugue 1.mp3
Four Voices. Eight Subjects
Double Canon 2.mp3
Fugue 2b.mp3
Four Voices. Ten Subjects
Double Canon 3.mp3
Fugue 3.mp3
Six Voices. Eight Subjects
Triple Canon.mp3
* The first appearance of the B.A.C.H subject occurs at the Golden Section point of the composition
